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    <title>GigOps blog</title>
    <link>https://blog.gigops.ai</link>
    <description>Practical guides for tour managers, production managers and festival producers: advancing, day sheets, credentials, settlement and more, from 15 years on the road.</description>
    <language>en-us</language>
    <pubDate>Wed, 11 Nov 2026 22:15:06 GMT</pubDate>
    <dc:date>2026-11-11T22:15:06Z</dc:date>
    <dc:language>en-us</dc:language>
    <item>
      <title>Tour Advancing Checklist: What to Lock Down With Every Venue | GigOps</title>
      <link>https://blog.gigops.ai/the-tour-advancing-checklist-what-to-lock-down-with-every-venue-before-load-in</link>
      <description>&lt;p&gt;Every show day that goes sideways can usually be traced back to one question nobody asked during the advance. The truck can't fit the dock. The house has single phase power and you're carrying a three phase distro. The curfew is an hour earlier than the promoter said. Catering was told 20 when you're traveling 34.&lt;/p&gt;</description>
      <content:encoded>&lt;p&gt;Every show day that goes sideways can usually be traced back to one question nobody asked during the advance. The truck can't fit the dock. The house has single phase power and you're carrying a three phase distro. The curfew is an hour earlier than the promoter said. Catering was told 20 when you're traveling 34.&lt;/p&gt; 
&lt;p&gt;&lt;a href="https://gigops.ai/platform/advancing/"&gt;Advancing&lt;/a&gt; is the unglamorous work that makes show days boring, and boring is the goal. This is the checklist we've used across 15 years of running international tours. Start the advance three to four weeks out for a standard venue, and earlier for festivals, international dates and anything with a custom rig.&lt;/p&gt; 
&lt;h2&gt;1. Contacts and schedule&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;Venue production manager, promoter rep, house electrician, head of security and the runner, with mobile numbers for show day&lt;/li&gt; 
 &lt;li&gt;Load-in time, soundcheck, doors, support set times, changeover length, headliner set time and hard curfew&lt;/li&gt; 
 &lt;li&gt;Noise curfew or dB limits, and whether they're measured at FOH or the property line&lt;/li&gt; 
 &lt;li&gt;Load-out window and any time the building needs to be clear&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;2. Load-in and access&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;Dock address, which is often different from the venue's public address&lt;/li&gt; 
 &lt;li&gt;Number of trucks and buses the dock and street can take, height and length restrictions, and overnight parking&lt;/li&gt; 
 &lt;li&gt;Shore power for buses, and how many amps&lt;/li&gt; 
 &lt;li&gt;Push distance from dock to stage, plus any elevators, ramps or stairs&lt;/li&gt; 
 &lt;li&gt;Local crew call: loaders, stagehands, riggers, minimum call hours and union rules&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;3. Stage and rigging&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;Stage width, depth and height, wing space, and trim height&lt;/li&gt; 
 &lt;li&gt;Rigging points, load limits per point and total, and the deadline for your rigging plot&lt;/li&gt; 
 &lt;li&gt;Ground support allowed or not, risers and barricade provided by the house&lt;/li&gt; 
 &lt;li&gt;Pyro, haze and special effects: permits, the fire marshal and any lead time&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;4. Power&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;Available service in amps, voltage and phase, especially on international dates&lt;/li&gt; 
 &lt;li&gt;Distance from the tie-in to your distro location and who makes the tie-in&lt;/li&gt; 
 &lt;li&gt;Separate clean power for audio, and generator needs for outdoor shows&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;5. Audio, lighting and video&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;House inventory versus what you're carrying, and what you're renting locally&lt;/li&gt; 
 &lt;li&gt;FOH position, snake run length and route, and whether you lose seats for the mix position&lt;/li&gt; 
 &lt;li&gt;Monitor world location, delay positions and video screen specs&lt;/li&gt; 
 &lt;li&gt;Any house rules on sound levels, low end or strobes&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;6. Hospitality and catering&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;Dressing room count, sizes and assignments&lt;/li&gt; 
 &lt;li&gt;&lt;a href="https://gigops.ai/platform/catering/"&gt;Catering&lt;/a&gt; headcount by meal, meal times, dietary needs, and buyouts versus hot meals&lt;/li&gt; 
 &lt;li&gt;Showers, laundry, towels and production office space&lt;/li&gt; 
 &lt;li&gt;Wi-Fi network and password for the production office&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;7. Guest list and credentials&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;Comp allocation and the guest list deadline&lt;/li&gt; 
 &lt;li&gt;Pass types the building recognizes: laminates, wristbands, sticky passes, photo passes&lt;/li&gt; 
 &lt;li&gt;Which zones each pass opens, and who at the venue checks them (more on &lt;a href="https://gigops.ai/platform/credentials/"&gt;credentials and access zones&lt;/a&gt;)&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;8. Merch&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;Venue merch split for soft goods and music, and who sells&lt;/li&gt; 
 &lt;li&gt;Table size and location, load-in time for merch and the count-in and count-out process&lt;/li&gt; 
 &lt;li&gt;Sales tax handling&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;9. Settlement&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;Deal terms in writing: guarantee, percentage, splits and any bonuses&lt;/li&gt; 
 &lt;li&gt;Expenses the promoter plans to deduct, with caps and backup documentation&lt;/li&gt; 
 &lt;li&gt;Who settles, when, in what currency, and how the money moves (see how &lt;a href="https://gigops.ai/event-settlement-software/"&gt;show settlement&lt;/a&gt; works in GigOps)&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;10. Travel and logistics&lt;/h2&gt; 
&lt;ul&gt; 
 &lt;li&gt;Hotels, day rooms and late checkouts&lt;/li&gt; 
 &lt;li&gt;Ground transport and airport runs (&lt;a href="https://gigops.ai/platform/travel/"&gt;travel, hotels and per diem&lt;/a&gt;)&lt;/li&gt; 
 &lt;li&gt;For international dates: work permits, carnets and customs paperwork for the gear&lt;/li&gt; 
&lt;/ul&gt; 
&lt;h2&gt;The real problem is keeping it all in one place&lt;/h2&gt; 
&lt;p&gt;None of this is hard on its own. The hard part is that on a 30 date run, you're tracking roughly 30 versions of this list across emails, tech packs, spreadsheets and texts, and the answer you need at 7am in a loading dock is in an email thread from three weeks ago.&lt;/p&gt; 
&lt;p&gt;That's why we built &lt;a href="https://gigops.ai/tourops/"&gt;GigOps TourOps&lt;/a&gt;, our &lt;a href="https://gigops.ai/tour-management-software/"&gt;tour management software&lt;/a&gt;. You advance every venue in one place instead of across a dozen email threads, a venue's tech pack is entered once and read by every tour that plays there, and settlement is tracked down to the cent.&lt;/p&gt; 
&lt;p&gt;Advancing a tour right now? We'll walk through it on one of your real dates.&lt;/p&gt; 
&lt;p&gt;&lt;a href="https://calendly.com/graham-gigops/30min"&gt;Book a 20 minute walkthrough&lt;/a&gt;&lt;/p&gt;  
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      <pubDate>Wed, 11 Nov 2026 20:29:13 GMT</pubDate>
      <author>hello@gigops.ai (GigOps Staff)</author>
      <guid>https://blog.gigops.ai/the-tour-advancing-checklist-what-to-lock-down-with-every-venue-before-load-in</guid>
      <dc:date>2026-11-11T20:29:13Z</dc:date>
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